Tony, the son of Ravi, finds himself at a crossroads torn between the legacy passed down by his father and his aspiration for a different life. Unlike Ravi, Tony steers clear of the shadows of crime, opting instead to embrace a love affair with a woman of affluence.

In a town plagued by crime, Kannan bhai and his gang hold sway as the dominant forces. In response to this reign of criminality and with a thirst for vengeance, Inspector Shahul orchestrates a strategic plan to bring back the 'King,' setting the stage for a series of transformative events.

Abilash Joshiy, in his stylish directorial debut (son of Joshiy, known for his impactful action films in Malayalam cinema), delivers an intriguing narrative. However, the film is hindered by the conventional storyline crafted by Abhilash N. Chandran. The appeal lies not merely in the unfolding events but in the execution itself, a challenge for this Dulquer Salmaan starrer.



  The film becomes a visual treat with Nimesh M Thanoor's avant-garde, westernized production design. Yet, the momentum is disrupted by Shyam Sasidharan's lethargic editing, which, aside from a few commendable action sequences, intermittently dampens the overall engagement. Nimish Ravi, the cinematographer (known for his work in "Rorschach" and "Kurup"), continues to weave his magic with stylish Point of View (POV) combat sequences.




In summary, while the film offers a stylish debut from Abilash Joshiy and visually captivating elements, the conventional storyline and occasional pacing issues hinder its overall impact. The combination of compelling visuals and action, however, makes it a watchable experience.

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